Heading picture for page two of how we do it - moulding

Moulding

We pride ourselves in our ability to keep the integrity of the original clay sculpture alive so nothing is more important than the first silicone block mould.  To harness the sheer weight of the material and avoid leakage we have to construct a very strong and perfectly sealed box to shroud the piece as closely as possible. 

Picture of silicone rubber being poured into a block mould case
Picture of silicone rubber being poured into a block mould case
Cut-lines are predetermined and appropriate bleeds are added to allow any trapped air to escape and only then can we begin to pour in the pre-vacuumed liquid rubber. Once the rubber has hardened the mould is then skilfully cut allowing the removal of the now surplus clay sculpture.
Nick our mould maker claying up a Tiger production master
 Nick our mould maker using clay to create a shape for a production mould
From this point the process continues. Once a production prototype master has been cast from the initial block mould, and Matt has worked on it, it is then ready for claying up. This is where Nick, our Mould Maker, can determine both a satisfactory thickness for what will be a production mould using the clay to create and engineer a desired outcome.
Picture of production case being made using fibre glass
Picture of silicone rubber being poured into the master production mould case
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